中英雙語話中國影視演藝圈 第3期:中國臺灣電影史

Chinese Taiwan Film History

中國臺灣電影史

Taiwan Films began in 1896. Films were introduced to China when Japan launched the Jiawu War of aggression against China and forced Qing Government to sign the Treaty of Shimonoseki, ceding Taiwan to Taiwan, the earliest film show was just for Japanese. Japanese Government deprived Chinese culture by its power, and its force dominated and intermingled each step of Taiwan film development:the first film show activity was held by Japanese in 1901, the first cinema was founded by Japanese in 1907，the first feature film was shot by Japanese in 1922 and the so-called “first sound film”was a colonial film produced by Japanese in 1936.

臺灣電影起步於1896年。當電影傳人中國的時候，正值日本對華發動甲午戰爭，並迫使清政府簽訂《馬關條約》割讓臺灣的時候。在臺灣，最早期的電影放映只是專供日本人觀看的。日本政府憑藉強權剝奪華語文化,而且日本力量主導和滲人了中國臺灣電影發展進程的每一步。臺灣最早的電影放映活動由日本人在1901年初開啓，最早的電影院是日本人1907年建立的,最早的故事片是日本人1922年拍攝的，還有所謂的“第一部有聲故事片”也是日本人1936年拍攝的殖民電影。

Taiwan film history originated from “Japan”，which was the sorrow in Taiwan film workers forever. Moreover, the number of early Taiwanese films was small, however mostly depending on Japanese cooperation and capital support.

臺灣電影史由“日”而起，成了臺灣電影人心中永遠的痛。而且就數量上來說，早期臺灣電影的創作本來就數量很少，但大都離不開日本的合拍攝和資金支持。

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In 1925, the first feature film Whose Fault Is It was made by Taiwanese Liu Xiyang, Zheng Chaoren, Zhang Yunhe and Li Songfeng, etc , who shot an errantry romantic film Bloodline in 1929 in the wake of Chinese ghost swordsmen Film. When the film released to the general public it was an unprecedentedly successful blockbuster.

1925年，劉喜陽、鄭超人、張雲鶴和李鬆峯等人拍攝了臺灣人自己製作的第一 部故事片《誰之過》。1929年，他們仿效當時中國的神怪武俠片而拍攝了俠義愛情片《血痕》。影片在公映時，空前盛況，賣座非常成功。

In 1931, Japan invaded China and Taiwan was forced to preparing for war. Japan severely controlled Taiwan in culture, leading to a shortage of materials and filmmaker. From 1931 to 1937, therefore, Japan and Taiwan cooperated to shoot films, but Taiwan produced only 5 films directed totally by Japanese. After Anti-Japanese War in 1937, Japan pushed the three“Kominka Movement”film principles and used the film to enslave Taiwanese, suppress and control Taiwanese filmmakers.

1931年，日本侵華，臺灣也被迫進人備戰狀態。在文化上，日本嚴加管治，資源缺乏，人才不足。因此，在1931年至1937年間，臺日合作拍攝，臺灣只生產了五部電影，且都是由日本人當導演。1937年，抗日戰爭爆發之後，日本在臺灣推行 “皇民化”的電影三原則，利用電影進一步奴化臺灣人民，壓制和控制檯灣電影人。